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Happy New Year to you all. Hope that you had a restful break and that your studios are bulging with new art supplies, your sketchbooks are full of doodles and creative ideas and you are easing back into your artistic practice in a way that works for you. Having had a decent break ourselves, we sent the new issue (Issue 33) to print last week and hope to see some advance copies later this week. Due out next Wednesday (21st January), we’re excited to share this new edition with you – full of storytellers, educators and explorers, it’s packed with insights and wise words from artists whose creative practices are always evolving.


Like many businesses ‘downing tools’ for the festive break, we have been gearing back up and getting our ducks in a row ahead of the new issue release. I’m a big fan of the cover of Issue 33 (featuring Ade Adesina – more on his article below) and can’t wait to see it and share it with you all soon.


It’s been great to take some time out to see a couple of exhibitions, read new art books and to muse on my making before starting back on my own print endeavours. I’m looking forward to seeing and hearing about new discoveries and creative ideas for 2026 from all of you too. Here are some projects to keep you inspired and to keep you rolling…

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John Coe

Founder of Pressing Matters magazine

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Off The Page

Meet three different artists who love to play with shape, form and texture – whose prints are just a small part of their creative practices, which takes in street art, installations, sculpture and much more. “I’ve found that my sculptural works tend to make me want to create prints that take up space in a different way,” says Ella West, who features alongside Jeroen Erosie and Emer Tumilty. Read more about their exploration in print and beyond in Off The Page in Issue 32.

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LEGO Printing Presses

You’ll have seen letterpress artists using flat blocks to make graphic prints, but Ben Goodman’s LEGO printing presses are the first of their kind – not just static display models, the mechanisms genuinely work and can be used to print relief plates, lino and, of course, LEGO tiles. Including a lever-operated platen press (based on the Albion Press, 312 pieces) and a roller-based press (163 pieces), both models are inspired by historic presses that are still widely used by printers today, with moving parts that operate in the same way as the real machines. Ben’s project needs to reach 10,000 supporters within two years for LEGO to consider it for mass production. Check out the project, offer your support and let’s make it happen!!

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Intentional Illustration Ideas

As I head into a new year, I’m keen to be more intentional in my printmaking and illustration work. I’ve long been interested in (and drawn to) patterns, buildings, leafy forms and so on, but I’m keen to integrate people into my designs more in the coming months. Starting back on my course at Spike Print Studio tomorrow, we are going to be working with linocut and I’m keen to use the next ‘brief’ as an opportunity to bring some narrative and stylisation into my prints. I’ve been saving off some interesting posts recently and I’m enjoying how the illustrators play with exaggerated shapes, blocks of tone and patterns.

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Having enjoyed his huge prints at a number of art shows over the years, I'm chuffed to have spoken to Aberdeen-based artist Ade Adesina about his large-scale linocuts in Issue 33. His prints have a truly dreamlike quality and at their roots lie a deep interest in ecology – mixing motifs and symbols to reflect his Nigerian culture, love of landscape and science fiction. “Being able to work across different printmaking mediums has really shaped the way I think about tone and mark-making,” notes Ade.

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We featured Rowan Sivyer’s Modern Block Printing book way back in Issue 21 and I’ve always loved her graphic approach to pattern and printmaking. I was interested to see that she’s started an experimental 30-day project to kick off the year under the title Will It Print? “Part of a video posting challenge hosted by Pat Flynn,  I will be grabbing random household objects, including items destined for the rubbish (such as these empty packet of pills) and seeing whether they will print!" says Rowan.

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New Year, New Hobby

January is the perfect time to try something new and there’s no better way to start than by making something with your own hands. Print Club London's screenprinting workshops are designed for curious beginners and growing makers alike. From hands-on introductory sessions to intermediate screen printing workshops, each experience is a chance to learn new skills, spark fresh ideas and leave with something you’ve made yourself. Their workshops offer a relaxed, welcoming space to create, experiment and reset for the year ahead. With workshops starting from just £75, make this the year you try something new!

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Slow Dedication

Finnish artist Maarit Hanninen muses on the deep satisfaction she finds in the physical act of carving and how sharing has become a key part of her creative process. “My Nordic roots show up through natural materials, folk styles and a love for the handcrafted,” she says. Read about her unique approach to linocut in “Slow Dedication” in Issue 32, out now in print and digital editions .

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One of the few artist to appear in the magazine more than once, Radiohead collaborator Stanley Donwood featured in both Issue 5 and Issue 26 – the earlier article being an insight into the artists process and work with the band and his artistic relationship with singer Thom Yorke, whilst the second saw us take a closer look at his epic map prints with stone litho studio IDEM Paris. Oxford’s Ashmolean Museum have been showing the fruits of the pair’s labours in the brilliant exhibition THIS IS WHAT YOU GET, which has now been extended until 18th January. I went to see it last week and it was ace to see their sketchbooks, huge paintings, linocuts and etchings, and to see how they fuse their ideas to make original artworks.

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I’ve been a big fan of Jeroen Smeet’s project The Jaunt for some time now – having bought the book, followed the social media and tried to use the idea in my own practice when travelling. A crowdfunding project where supporters back a print/artist/trip where the artwork is yet to be made. The artist then goes on a ‘jaunt’ and makes work inspired by the location and the time spent there. “There really have been so many interesting trips. From a treehouse community in the rainforest of Costa Rica, to an artist visiting Copenhagen and being allowed behind the scenes of his favourite designer,” says Jeroen. I’m pleased to say that we’ve explored this great project in our coming edition of the magazine.

Inky inspiration and exploits...

Workshop wisdom from the
new guys at Hiut Denim

Spike Print Pal Sanni Pyhänniska’s residency antics in Norway

Studio sorting advice
from Sarah Short

Hoping to give Studio All Day Long
a visit sometime in 2026

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