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Carving Marble, Irish Painting & AI

TracyHSugg.comMonumentsSculptor's Muse

Carving St John the Baptist



St John was the first statue I carved, I chose him because he was also the forerunner of Christ and for the simple joy of that symbolism.

His wild hair, rough beard and garments were some of my favorite parts to carve.He holds a staff, which I created with a rough woodgrained texture to match the texture of his camel hair cloak.

St John the Baptist’s demeanor is steadfast. I wanted his faithfulness to deliver his message to be expressed in his steady eyes and expression. Though the marble is heavily veined in his face, I found it inspiring to see it revealed as I got closer to completion. And truly the heavy veining in his face reflects his fierce prophetic calling.

Interestingly, the veining of the marble comes to a point at the base of his staff, almost looking like lightning exploding from it. When I think of his words “Behold, the Lamb of God, Who has come to take away the sin of the world!” and “Repent, for the Kingdom of Heaven draws near.” and realize what this meant for mankind! I loved this veined symbolism of his staff—something I could never have planned, but God knew when I chose this piece for this saint. Many times throughout the carving of these saints, the veining of the marble played beautifully into each piece.

An effect that only God can create!



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Keeping Fresh Eyes in the Studio

How does an artist keep 'fresh eyes' for their artwork?  It's been proven that after a certain amount of time working on one thing, an artist's eyes become 'blind' to an extant, not seeing potential changes to proportion, etc.  You have to keep your artistic mind sharp and clear (or as I call it 'Fresh Eyes') Over the years I have developed several methods to achieve this.  One way is to always work on more than one artwork at a time.  That way as I go from one to the other, my eyes stay 'alert', bouncing between them gives me a constant renewed vision.  By doing this I find my work comes together more beautifully and even quicker than if I worked solely on one art work at a tme.  The photo to the left shows a 'sneak peek' of an oil painting I am working on from our trip to Ireland. St Colman's Cathedral in the mist.  I painted the frame, added metallic highlights to the reliefs, and created a Celtic knotwork border that I painted within the frame itself.  I'm excited to see this painting come together.  To watch my podacst on Fresh Eyes in the studio Click Here.

A Sculptor muses on Artifical Intelligence...

AI - seems to be one of the many 'buzz' words in the art world today.  Will it replace artists?  Will it be revolutionary in producing art? or how about this one.... Is it ethical?  Since AI pulls from all internet sources how does an artist keep ones work 'safe' from being used or 'stolen' and portrayed as something different or as art created by someone else?   These are all valid questions that will have to be addressed as the AI trend continues it's tumultuous advance into our lives and careers.

My thoughts personally - I don't want to have my brain atrophy from using something too often.  (for example just from using a calculator, my memorized times tables have faded drastically - automated spell check has enabled me to be sloppy in my email correspondance, and my grammar and punctuation rules have been forgotten as my software corrects most of those for me.)  So, as an aritst - I don't want to lose what insight, experience and training I already have in my brain when it comes to artistic creativity.  So for my own personal choice, I will not be using AI for any of my artistic work - not even in creating my email newsletters!  (which you have probably realized by now!) I like to think that those who are interested to read what an artist sends as an 'update' really really really do want to hear what the ARTIST says - and not a shiny glossy 'glassy eyed' update.

That being said, I know friends who are heavily invested in the AI wagontrain and are excited to see how it can be a tool in their own lives and careers.  To them - I wave my hat to you and wish you all the best!  Each person in every area of their lives needs to make their own decisions.  And I wanted you, as a follower of my artwork, to know that if you received anything from me that could be referred to AI. that for me,it would mean 'Artistic Intuition'

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Sculptor's Muse & Art Reviews      

       https://www.tracyhsugg.com/scu... 

Below are a couple of my posts:  Perfect for those times when you need a breath of fresh air with beautiful art!

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Increased Perception

In this episode of the Sculptor's Muse, Tracy shares her insight on how to increase your perception for creating artwork.

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Neoclassical/Romantic maritime painting

Vernet was an accomplished painter that worked in the era that turned the corner from the Neoclassical to the Romantic styles.

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